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This Annual Report contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933, as amended, and Section 21E of the Securities Exchange Act of 1934, as amended. All statements, other than. The Canadian Forces Housing Agency (CFHA) in Action Table of Contents. Message from the Assistant Deputy Minister (Infrastructure and Environment) The Year in Review from the CFHA’s Chief Executive Officer; Profile. QUALCOMM Incorporated - Annual Report. Item 1. Business. We incorporated in 1. California. In 1. Delaware. We operate and report using a 5. Sunday in September. Our 5. 2- week fiscal years consist of four equal fiscal quarters of 1. Dharmendar Jain is the Group's Chief Finance Officer. He's also the EVP & Head Finance and Supply Chain at Kaya Ltd. With over 22 years of experience in various areas of finance, Dharmendar joined MaKE in April 2013 as the.The financial results for our 5. Both of the fiscal years ended. September 2. 8, 2. September 2. 9, 2. The fiscal year ended. September 3. 0, 2. The mobile communications industry generally recognizes that a company seeking to develop, manufacture and/or sell products that use CDMA technology will require a patent license from us.
CDMA is one of the main technologies currently used in digital wireless communications networks (also known as wireless networks). Based on wireless connections, CDMA and TDMA (Time Division Multiple Access), of which GSM (Global System for Mobile Communications) is the primary commercial form, are the primary digital technologies currently used to transmit a wireless device user’s voice or data over radio waves using a public cellular wireless network. Sales of multimode CDMA and LTE (which stands for Long Term Evolution and is an OFDMA- based standard for cellular wireless communication applications) wireless devices have grown significantly during the past several years. Some of these were contributed to and are being commercialized as industry standards, such as certain audio and video codecs, the advanced WLAN (wireless local area networks, or Wi- Fi) 8. Other technologies widely used by wireless devices that we have developed are not related to any industry standards, such as operating systems, user interfaces, graphics and camera processing functionality, integrated circuit packaging techniques, sensors and sensor fusion algorithms and application processor architectures. Our products principally consist of integrated circuits (also known as chips or chipsets) and system software used in mobile devices and in wireless networks. We also sell other products and services, which include: integrated circuits for use in wired devices, particularly broadband gateway equipment, desktop computers and streaming media players; software products and content enablement services for wireless operators; and products designed for the implementation of small cells. As the largest technology platform in the world, mobile has made peoples’ lives more connected, transforming the way we interact with one another and with the world. Readbag users suggest that Annual%20Report%20%202009%20-%2020010.pdf is worth reading. The file contains 234 page(s) and is free to view, download or print. Reliance Industries Detailed director reports covering Reliance Financial Results and Performance report. 2013 Health Canada annual report. We also greatly appreciate the extensive work effort that was put into this report by our production team: the desktop publishing unit, the translators, editors and concordance experts, and. The scale and pace of innovation in mobile, especially around connectivity and computing capabilities, is impacting industries beyond wireless. As of September 2. G/4. G connections globally (CDMA- based, OFDMA- based and CDMA/OFDMA multimode) representing nearly 4. G/4. G connections are projected to surpass 5 billion globally, with approximately three- quarters of this growth occurring in emerging regions (GSMA Intelligence, November 2. In 2. 01. 0, the number of broadband connections using mobile technology surpassed those using fixed technologies, making mobile networks the primary method of access to the Internet for many people around the world. The impact is further amplified in emerging regions, where 3. G/4. G connections are approximately four times the number of fixed Internet connections (GSMA Intelligence, November 2. WBIS, October 2. 01. Mobile broadband may be the first, and in many cases only, way that people in these regions access the Internet. G/4. G LTE multimode services are being rolled out in China, which we expect will encourage competition and growth, bring the benefits of 3. G/4. G LTE multimode to consumers, encourage consumers to replace 2. G, or second generation, (GSM) and 3. G devices and enable new opportunities for the industry. In 2. 01. 3, nearly 1 billion smartphones shipped globally, representing a year- over- year increase of more than 4. Gartner, September 2. Much of this growth is happening in emerging regions, where smartphones represented 4. Gartner, September 2. Declining costs and the rapid expansion of entry- level smartphones have been and are expected to continue to be key to this growth. This innovation is happening across multiple technology dimensions, including connectivity, application processors, camera, audio, video, location, radio frequencies and sensors. As a result, the smartphone has supplanted in many ways the personal computer as the go- to device for email, web browsing, music, gaming, social networking and more. It is also replacing many traditional consumer electronics items due to its advanced capabilities, including digital cameras, video cameras, Global Positioning System (GPS) units and music players. To meet the challenge resulting from increased demand for data, mobile operators are looking at a variety of methods to improve the performance and capacity of their networks, including acquiring additional spectrum, using more efficient air- interface technologies (derived from the continued evolution of 3. G/4. G and Wi- Fi technologies) and leveraging both licensed and unlicensed spectrum. An additional approach is network densification, in which very small, lower- power base stations, known as small cells, are deployed close to the end user to complement the larger “macro” network. With billions of connected devices projected to be added over the coming years, enhancing the capabilities of the network will be vital to improving its scalability and performance as it enters this new phase of growth. These enhancements are helping to transform industry segments, including the connected home, tablets, automotive, health care and wearables, as companies leverage mobile connectivity and computing technology to create intelligently connected products and services and reach new customers. Through the addition of embedded sensors, connected things are able to collect and send data on their environment, providing users with contextually relevant information and further increasing their utility and value. We refer to this as the Internet of Everything. To meet these requirements, different wireless communications technologies continue to evolve. For over two decades, we have invested and continue to invest heavily in research and development of many of these cellular wireless communication technologies, including CDMA and OFDMA. As a result, we have developed and acquired (and continue to develop and acquire) significant related intellectual property. This intellectual property has been incorporated into the most widely accepted and deployed wireless communications technology standards, and we have licensed it to wireless device and infrastructure manufacturers (more than 2. Most of the cellular wireless technologies can be grouped into three categories. Most of these systems are classified as 2. G technology. Compared to the earlier generations of analog technologies, these digital communications technologies provided for significantly enhanced efficiency within a fixed spectrum, resulting in increased voice capacity. These technologies also enable enhanced services, such as SMS (short message service) texting service, as well as low- speed data services. GSM has evolved to support mobile packet data transmission, such as GPRS (General Packet Radio Service) and EDGE (Enhanced Data Rates for Global Evolution). The transition of wireless devices from 2. G to 3. G/4. G continued around the world with 3. G/4. G connections up 2. Most of the CDMA- based technologies are classified as 3. G technology. We lead the development of CDMA- based technologies. CDMA- based technologies provide vastly improved capacity for voice and low- rate data services as compared to analog technologies and significant improvements over TDMA- based technologies, such as GSM. The following are the CDMA- based technologies and their standards revisions. As these technologies continue to evolve, new features are being defined in their relevant standardization bodies, the 3rd Generation Partnership Project 2 (3. GPP2) for CDMA2. 00. EV- DO and the 3rd Generation Partnership Project (3. GPP) for WCDMA and TD- SCDMA. One example is the 3. GPP releases: Releases 5 and 6 together are called HSPA (High Speed Packet Access). The releases from 7 to 1. HSPA+, indicating that they provide performance improvements over HSPA. We refer to releases 1. HSPA+ Advanced, again indicating improvements beyond the ones that HSPA+ offers. According to GSMA Intelligence estimates as of November 3, 2. CDMA- based connections worldwide, representing approximately 3. As of the fourth quarter of calendar 2. X Advanced and DO Advanced, as well as up to the eighth release of HSPA+, were commercially launched. Most of the OFDMA- based technologies. G technology. We continue to play a significant role in the development of LTE and LTE Advanced, which are the predominant 4. G technologies. LTE has two modes, FDD (frequency division duplex) and TDD (time division duplex), to support paired and unpaired spectrum, respectively, and is being developed by 3. GPP. The principal benefit of LTE is its ability to leverage wide swaths of spectrum (bandwidths of 1. MHz or more). LTE is designed to seamlessly interwork with 3. G through 3. G/4. G multimode devices. Currently, most LTE devices rely on 3. G for voice services across the network, as well as for ubiquitous data services outside the LTE coverage area, and on 4. G for data services inside the coverage area. To date, LTE’s voice solution, Vo. LTE (voice over LTE), has been commercially deployed in only a small number of networks. The name LTE covers releases 8 and 9. Releases 1. 0 and beyond are referred to as LTE Advanced. According to GSMA Intelligence estimates as of November 3, 2. G/4. G multimode connections worldwide, representing approximately 5% of total cellular connections. Carrier aggregation, one of the significant improvements of LTE Advanced, was commercially launched in June 2. Along with carrier aggregation, LTE Advanced brings many more enhancements, including advanced antenna techniques and optimization for small cells. LTE Advanced continues to evolve; release 1. Indeed, films like Pulp Fiction, Kill Bill, and Django Unchained all portray—in almost comic detail—a series of characters who kill often and with little remorse, conscience, or humanity. But the crown jewel of Tarantino’s psychopathic portraits has to be his classic 1. Reservoir Dogs, starring Harvey Keitel, Tim Roth, Michael Madsen, and Steve Buschemi. In the film, the crime boss, Big Joe Cabot (Lawrence Turney) and his son, Nice Guy Eddie (Chris Penn), assemble a diverse group of criminals to pull off a big jewel heist, assigning each of them a color name (Mr. Brown, etc.) which is meant not only to protect their anonymity, but also to dehumanize them. What makes the film such a genius exploration of psychopathy is that each member of the crew, Mr. Orange, etc., beautifully exemplifies a distinct color along on the psychopathic spectrum. All of the members of this antisocial gang fall into the general realm of psychopathy in that they all have a problematic relationship to reality, and interpret their world as a harsh, threatening place that is rotting away. Rotterdam house producer Ben La Desh steps up for our ninth Pelski Podcast. The Dutch DJ has slowly but surely built. If an app or game does not have a rating, it means that it has not yet been rated. Softonic uses the rating systems by PEGI and ESRB. Hell, for them, is the frustrating existence of other people who have competing wants and interests—people who believe they also should have the world to themselves. The “dog pack” also shares a culture of hyper- masculine hostility, which objectifies women as sex objects and demeans them as psychologically weak. The pack members can interact only briefly without reinforcing their self- esteem as superior White men by aggrandizing themselves through racial jokes and comparisons that demean and dehumanize Blacks. Even with each other, they are always ready with an insult, either to retaliate against a perceived slight, or to stifle another man’s attempt to put his head above the pack. In one of the opening scenes of the film, the dog pack members meet each other for the first time over breakfast at Bob’s Pancake House. Tarantino brilliantly uses a discussion about tipping the waitress to reveal both the common worldview of the cons and how their attitudes toward that world and the people in it differ. The most different is Mr. Blond (Michael Madsen), who actually ignores the tipping discussion entirely while he closely attends to the playful struggle for dominance and control that is happening below the surface. Blond is a sadistic psychopath.
He is completely at home in this antisocial world, because it justifies his bliss of being the master of dispensing hell to those around him. Not all psychopaths are sadistic, but many have strong sadistic traits. Blond is willing to risk everything to fulfill his sadistic pleasure in torturing and mutilating a captured cop. Blond has the poorest contact with, and regard for, reality. He believes that if you dare to enter into his world, you deserve what you get. Mr. Pink (Steve Buscemi) is a criminal psychopath, although a high anxiety version of one. He has the clearest handle on external reality, perhaps even better than the undercover cop, Mr. Although Pink is prone to what he calls panic, he has an animal- like agility to quickly land on his feet and return to a keen focus on self- interest. He is the first to know that there is a rat in the dog pack and he keeps his eyes and hands on the diamonds. He is clear on the facts, but his interpretations of them are hobbled by his profound inability to make basic emotional judgments. When he returns from the botched heist after killing officers and seeing pack members killed, he has to ask Mr. White “Is this bad?” Mr. White has to assure him that it is not good. Although he is also a psychopath, Mr. Pink is the one in the dog pack who has the best overlap with the paranoid type. This hones his awareness, vigilance, his sense of having been given a raw deal in life. His psychopathy also comes through clearly in his anger and anxiety- driven impulsiveness. As he says, “Everybody panics. When things get tense, everybody panics. It’s human nature.” He cannot imagine the quiet mind under maximum stress, the mature virtue of courage. White, who trusts Joe implicitly, Mr. Pink has known Joe since his childhood. But Pink remains unattached to anyone in the pack to the bitter end, even considering that Big Joe has set them up, sold them out, or at least has abandoned them. He watches the conflicts within the pack play out until all are dead except him and almost gets away with the diamonds. As intriguing as are the psychopath (Mr. Pink) and the sadist ( Mr. Blond), the heart of the film is in the dynamic between Mr. White (Harvey Keitel) is a sociopath. His orientation to crime comes from being socialized into criminal society by men like Joe, who he looks to as a father figure. White must have been are drawn to the Joes of the world like moths to a flame. White regrets that this world exists as it is, and he wishes to repair it by being loyal to his antisocial godfather and his associates and by having the integrity of being a professional. He wants to believe that, like Robin Hood, he and his associates are representatives of the downtrodden and unappreciated. They are on a mission to balance the scales of justice that society has loaded against them. Mr. Blond is a sadistic psychopath who can only think and feel by shooting and cutting. He dis- identifies equally with both Mr. Blond and the police, who he sees as an morally illegitimate gang with uniforms and all the lazy habits that come with a steady paycheck. White is able to orient and calm Mr. Pink and to comfort and protect Mr. White is trying to do the right thing by people, at least from his criminal mindset. Ultimately, he cannot forgive Mr. White for bringing Mr. Blond into the heist, because Mr. Blond embodies the unthinking destructiveness that Mr. White does not want to become. Mr. Orange (Freddy) is an undercover cop with a narcissistic (and histrionic) personality. He has a personality disorder because he is turned on by taking unreasonable risks to prove he is “super cool” and superior to the dumb cons he is duping. Aptly his apartment is plastered with adolescent superheroes like the Silver Surfer. His self- inflation and denigration of others motivates him to perform dangerous undercover work. His goal is to exploit and manipulate through deception. He has a generally intact conscience, knowing right from wrong, but he believes he can do no wrong to the criminals he’s trying to trap. Freddie is the great impostor, the master trickster and bluffer, a Machiavellian. The film is set in LA near Hollywood, the capital of illusions where thousands of people dedicate themselves to great performances every day. Holdaway (Randy Brooks) coaches Freddy to be a great actor, to simulate the alternative reality of a lie and to remain detached. Prior to the botched heist, Holdaway has already guided Freddie to identifying White as a hold up man from Milwaukee. White is as good as caught at this point. Although he is ignorant that Freddie and Holdaway have his real name (Laurence Dimmick), Mr. White rightly senses that he shares a bond with Mr. Orange that is unlike his bond with anyone else in the dog pack. White is constantly striving to protect his self- esteem from the corrupt, disappointing, and abandoning models of his youth by being a good soldier and a professional criminal with principles. Orange is bolstering his self- esteem with ideals of perfection and mercurial grace that will help him slay the dragon of crime (Joe Cabot), but it is a grace of deception and manipulation that is also ultimately hollow. I have said that Mr. Blonde has the most tenuous, distorted hold on reality, but I must question if Mr. Blonde’s hold on reality is any more impaired than Freddie’s. Orange knows that he can manipulate Mr. White by telling him his name and therefore becoming a real person to him. After he is wounded, Freddie asks “Larry” (Mr. White) to hold him, knowing that this physical contact and gesture makes it less likely that Larry will leave him to die. But ultimately, when it seems not to matter, Mr. Orange reveals that he is Freddie, a cop. Orange pull off his cover to prove that he was the ultimate trickster, or was this another attempt to make human contact with Mr. White’s better angels by offering up his real identity and his guilt? This post has explored Reservoir Dogs as a kind of illustrated primer on psychopathic types. The second post in this two- parter will look at the world Tarantino created for these personalities to inhabit through the lens of the philosophy of meaning and signification.. White (Character) - Quotes. The content of this page was created by users. It has not been screened or verified by IMDb staff. Mr. Pink: What, you got one? Brown: Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. It's a metaphor for big dicks. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive.. Brown: Whoa, whoa, whoa, whoa, whoa.. Tell that fucking bullshit to the tourists. Brown: 'Like a Virgin' is not about this sensitive girl who meets a nice fella. Orange: Which one is 'True Blue'? Nice Guy Eddie: 'True Blue' was a big ass hit for Madonna. I don't even follow this Tops In Pops shit, and I've at least heard of . Orange: Look, asshole, I didn't say I ain't heard of it. All I asked was how does it go? Excuse me for not being the world's biggest Madonna fan. Blonde: Personally, I can do without her. Blue: I like her early stuff. You know, 'Lucky Star', 'Borderline' - but once she got into her 'Papa Don't Preach' phase, I don't know, I tuned out. Brown: Hey, you guys are making me lose my.. I was saying something, what was it? Joe: Oh, Toby was this Chinese girl, what was her last name? Joe: I found this old address book in a jacket I ain't worn in a coon's age. Brown: What the fuck was I talking about? Pink: You said 'True Blue' was about a nice girl, a sensitive girl who meets a nice guy, and that 'Like a Virgin' was a metaphor for big dicks. Brown: Lemme tell you what 'Like a Virgin' is about. It's all about this cooze who's a regular fuck machine, I'm talking morning, day, night, afternoon, dick, dick, dick, dick, dick, dick, dick, dick, dick. Blue: How many dicks is that? Brown: Then one day she meets this John Holmes motherfucker and it's like, whoa baby, I mean this cat is like Charles Bronson in the 'Great Escape', he's digging tunnels. Now, she's gettin' the serious dick action and she's feeling something she ain't felt since forever. Brown: It hurts her. It shouldn't hurt her, you know, her pussy should be Bubble Yum by now, but when this cat fucks her it hurts. It hurts just like it did the first time. You see the pain is reminding a fuck machine what it once was like to be a virgin. Hence, 'Like a Virgin'. Nice Guy Eddie: Dad, I'm sorry, but I don't know what the hell's happening. Joe: It's all right, Eddie. White: What the fuck are you talking about? Joe: That lump of shit's working with the L. A. P. D. Orange: Joe, I don't have the slightest fucking idea what you're talking about. White: Joe, I don't know what you think you know, but you're wrong. Joe: Like hell I am. White: Joe, trust me on this. You've made a mistake. You're hot, you're super fucking pissed. We're all real emotional. But you're barking up the wrong tree. Joe: You don't know jack shit! The cocksucker tipped off the cops and had Mr. Joe: Dead as Dillinger. White: How do you know all this? White: How do you know all this, Joe? Orange is the informant? Joe: He was the only one that I wasn't 1. I should have my fuckin' head examined for going on a plan like this when I wasn't a hundred percent sure of my crew! Joe: You don't need proof when you have instinct! Orange: What happens if the manager won't give you the diamonds? White: When you're dealing with a store like this, they're insured up the ass. They're not supposed to give you any resistance whatsoever. If you get a customer, or an employee, who thinks he's Charles Bronson, take the butt of your gun and smash their nose in. He falls down screaming, blood squirts out of his nose, nobody says fucking shit after that. You might get some bitch talk shit to you, but give her a look like you're gonna smash her in the face next, watch her shut the fuck up. Now if it's a manager, that's a different story. Managers know better than to fuck around, so if you get one that's giving you static, he probably thinks he's a real cowboy, so you gotta break that son of a bitch in two. If you wanna know something and he won't tell you, cut off one of his fingers. Then tell him his thumb's next. After that he'll tell you if he wears ladies underwear. White: If you shoot this man, you die next. If you shoot this man, you die next. Pink: We ain't taking him to a hospital. White: If we don't, he'll die! Pink: And I'm very sad about that, but some fellas are lucky, and some ain't. Pink: Don't you fuckin' touch me, man! White proceeds to kick him across the floor! I'll show ya who you're fuckin' with! Pink: Fuck you, White! I didn't create the situation, I'm just dealin' with it! You're acting like a first year fucking theif - I'm acting like a professional! If they get him, they can get you. They get you, they get closer to me, and that can't happen! And you, motherfucker, are lookin' at me like it's MY fault. I didn't tell him my name. I didn't tell him where I was from. I didn't tell him what I knew better than NOT to tell him! Fuck, fifteen minutes ago you almost told me your name! You, buddy, are stuck in a situation YOU created. So, if you wanna throw bad looks somewhere, throw 'em at a mirror! Orange: This is a very weird situation. People were living on resin.. This chick had a bunch. And she's begging me to sell it. So I told her I wasn't going to be Joe the potman anymore, but I would take a little bit and sell it to my close, close, close friends. She agreed to that, said we'd keep the same arrangement as before; 1. I helped her out that weekend. She had a brick of weed she was selling, she didn't want to go to the buy alone. Her brother usually goes with her, but he's in county unexpectedly. Orange: His traffic tickets. They stopped him for something, found warrants on him, took him to county. Now she doesn't walk around alone with all that weed. I don't want to do this. I have a very bad feeling about it. But she keeps asking me, keeps asking me, keeps asking me, finally I said OK 'cause I'm sick of hearing it. Now, we're picking the guy up at the train station.. Nice Guy Eddie: Wait a minute. You go to the train station to pick up the buyer with the weed on you? Orange: The guy needed it right away. Anyway, we're get to the station and we're waiting for the guy. I'm carrying the weed in one of those little carry- on bags. So I tell the connection I'll be right back, I'm going to the boys' room. So I walk in the mens' room, and who's standing there? Four Los Angeles county sheriffs and a German shepherd. Nice Guy Eddie: They're waiting for you? Orange: No, they're just a bunch of cops hanging out in the men's room, talking. When I walked through the door, they all stopped what they were talking about and they looked at me. That's a fucking hard situation. Orange: German shepherd starts barking. Every nerve- ending, all my senses, blood in my veins, everything I have is screaming, ! Just bail, just get the fuck out of there! First there's the shock of it.. I'm standing there drenched in panic. All these sheriffs looking at me, and they know, man. Sure as that fucking dog can, they can smell it on me. White: Hardy fuckin' har. Pink are washing up after the robbery went sour, trying to figure out what happened. Pink: You kill anybody? Pink: No real people? Blonde: Hey Joe, you want me to shoot this guy? You shoot me in a dream, you better wake up and apologize. White: The choice between doing ten years and taking out some stupid motherfucker, ain't no choice at all. But I ain't no madman. White: You can't leave this guy with them. Nice Guy Eddie: Why not? White: Because he's a fucking psycho. And if you think Joe's pissed off, that ain't nothing compared to how pissed off I am at him, for putting me in the same room as that bastard! Blonde: See what I've been putting up with, Eddie? I fucking walked in here, I told these guys about staying put. White whips out his gun, he's sticking it in my face, calling me a motherfucker, saying he's gonna blow me away and blah, blah, blah, blah, blah. White: This is what he was doing.. Blonde: Yeah, bam, bam, bam, bam, bam. I told 'em not to touch the alarm.. If they hadn't done what I told 'em not to do, they'd still be alive. White: That's your excuse for going on a kill- crazy rampage? Blonde: I don't like alarms, Mr. Orange lying on the floor. White: How the fuck do you think? This is so fucking bad. White: As opposed to good? Pink: Man, this is fucked up. Somebody fucked us up big time, man. White: You really think we were set up? Pink: Do you even doubt it, man? I don't THINK we got set up, I KNOW we got set up! I mean, really, seriously, where did all those cops come from, huh? One minute they're not there, the next minute they're there? I didn't hear any sirens. The alarm went off, okay. Okay, when an alarm goes off, you got an average of four minutes response time. Unless a patrol car is cruising that street, at that particular moment, you got four minutes before they can realistically respond. In one minute there were seventeen blue boys out there. All loaded for bear, all knowing exactly what the fuck they were doing, and they were all just there! Remember that second wave that showed up in the cars? Those were the ones responding to the alarm, but those first motherfuckers were already there, they were waiting for us. Haven't you fucking thought about this? Orange knows some things about Mr. White: Well, he knows a little about me. You didn't tell him your name, did you? White: I told him my first name, and where I was from. White: I told him where I was from a few days ago. It was just a natural conversation. Pink: And what was tellin' him your name when you weren't supposed to? White: We had just gotten away from the cops. It was my fault he got shot. He's a fuckin' bloody mess - he's screaming. I swear to god, I thought he was gonna die right then and there. I'm tryin' to comfort him, telling him not to worry, everything's gonna be okay, I'm gonna take care of him. And he asked me what my name was. I mean, the man was dyin' in my arms. What the fuck was I supposed to do? It's against the rules! I don't trust you enough!? Elliot 1. 0m shaper restoration. Machine manuals covering various manufacturers lathes, millers. 10M, 14MR & 18MR shaper.Aquired Elliot 14' shaper My quest for a shaper has ended. I picked up a Elliott Invicta 2MR 14' shaper after looking about for a. Does anyone know where I can get a manual for it other than over in the UK?
Sera que alguien me puede decir como abrir desde el foxpro un archivo que esta en pdf o excel o word, si alquien me puede guiar en este tema. Abrir un Pdf desde Excel. Haga clic en columna de p. He estado buscando en internet y me he encontrado con esto. Si necesitas ejecutar autom. Tan sencillo como eso. Necesito de vuestra ayuda y consejo. Quiero que en una pagina web se pueda abrir un archivo de excel. De hecho, puede insertar un archivo PDF en un libro de Excel como un objeto. Cuando usted lo necesita, usted puede haga doble clic en el archivo PDF insertado para abrirlo con un lector de PDF. De esta manera hace acerca de c. Sin embargo, con esta forma, todav. Wondershare PDF to Excel Converter es la herramienta PDF que vamos a utilizar para abrir PDF en Excel. Versiones Windows y Mac funcionan bien. En el siguiente, tomamos la versi. Si prefiere las formas en l. Es totalmente compatible con Windows 8, Windows 7, Windows XP y Windows Vista. Hasta 2. 00 PDF archivos se admiten cada vez. En la ventana recientemente hecho estallar para arriba, usted puede seleccionar: Cada p. Haga clic en columna de p. Haga clic en convertir para ver el PDF para la conversi. Entonces, en cada bar de tema PDF, hay un peque. Y luego puede abrir estos documentos de salida con Microsoft Excel. Apenas lo intenta para ver c. Sex Pistols - Jubilee (2002) Tracklist: CD 1 01. God Save the Queen 02. Holidays in the Sun 05. VA - Classic Punk (2016), VA - Classic Punk (2016) MP3, Punk - The Jubilee 2CD (2016), Punk - The Jubilee 2CD (2016), Punk - The Jubilee 2CD (2016), Punk. Goth records ever made. Words: Kiran Sande. It’s June, 1. 99. I’m sixteen years of age. I’m in a nightclub for the first, perhaps second time in my life. The nightclub is called Spiders, and it’s located on the edge of an industrial estate in Hull. The air as my friends and I queue up outside is foul with burnt cocoa fumes wafting from a neighbouring factory. The smell inside the club is worse. Being 1. 6, I can barely believe my luck when I’m granted entry. It would be some time before I realised that Spiders wasn’t merely accepting of minors’ custom, but wholly reliant upon it. I try to get my bearings. To this day I’ve never been to a club that dark; I’m not sure how much it had to do with creating an ambience and how much to do with the owners’ unwillingness to fork out on. After some deliberation I buy myself a Green Monster – an in- house “cocktail”, served in a pint glass – and relax. The music emanating from the dancefloor is some unremarkable Britpop hit or other. I look at the wall. And then I realise the wall is looking back at me. Realise that we have got to act now. 1977 is the Queen's jubilee year. RAR concerts featured punk bands like the Adverts, The Clash. This is a very good Punk Rock compilation that covers nearly all of the Punk classics. If it had also included: Hong Kong Garden - Siouxsie & the Banshees, My Perfect. Silver Jubilee rapidshare mediafire megaupload hotfile, torrent download, emule download,full free download, Silver Jubilee rar zip password crack serial keygen cd. In fact, the wall is moving. It dawns on me that there are six or seven people leaning against the wall, clad all in black, maintaining a monkish silence, looking distant and more than a little bit tortured. The unremarkable Britpop tune comes to an end, and there’s a brief pause while the DJ fumbles with the controls. Then a new song begins. The song is Sisters of Mercy’s . I follow them at a short distance. When I reach the dancefloor they’re there. Well, I say dancing; more accurately they’re stomping, or sluggishly waving their torsos without moving their feet, or holding their heads in their hands as if in a rapture of pain, or pleasure, or both. It’s like some kind of demented exercise video. Other groups of similarly attired characters arrive at the dancefloor at the same time, and a few of them exchange words, dance together, get off with each other. It wasn’t pretty, witnessing them in their element, but it was kind of endearing. I’d seen the same folks in daylight, dressed the same way, at bus- stops around town, hoping that their bus arrived before the next torrent of abuse from some lad in a tracksuit. Not a great deal has changed in the interim. To most people goth still represents the epitome of uncool and artistic worthlessness, goths still get beaten shitless at bus- stops, Spiders still sells luminous vodka cocktails to children. But it wasn’t always this way. In the years ’7. 9- ’8. I’m not a goth, nor was I meant to be. I wasn’t there in ’7. I didn’t live through it. So what follows is an idealised portrait of goth in its infancy. It’s highly selective and at times insensitive. I’ve ignored goth acts who were popular and important to the scene’s development on the grounds that I simply don’t like their music – so no Fields Of The Nephilim, no Mission, no Danielle Dax, etc. I’ve privileged those records that are sonically compelling: as much as goth was about excess, the shadow of Martin Hannett looms heavy over its best records, with minimalist arrangements and cavernous production the going rate. A few of the releases I’ve highlighted could just as easily have found their way into a 2. So what, you may ask, do I even mean by “goth”? For the purpose of this list, at least, goth is unfashionable credulousness, sincerity and lack of cynicism. An appeal to higher forces, the dignifying of small emotions with grand imagery. Goth is a return to the poetic; the real post- punk romanticism. But perhaps more than anything. The drums always sound amazing. Forget the idiots in Camden still caning Sisters CDs and dressing for Columbine. Forget the emo and metal kids who’ve inherited goth’s angst but none of its class. Don’t fear the reaper. BAUHAUS. Hailing from none- more- bland Northampton and led by rake- thin and androgynously handsome Peter Murphy, the band’s persona erred on the side of pantomime, but their decision to break away from the spartan realist image of punk and its immediate offspring now seems nothing if not bold. Like their hero Bowie, Bauhaus understood the importance of fantasy, and how that’s bound up in the visual: from sleeve art to clothing, make- up to stage lighting. Back when they were first trying to get signed, they issued a video rather than an audio tape to record companies. Over the course of the four albums that they cut between ’8. Bauhaus was stretched in several different directions by its members (sometimes literally: see 1. There was no such confusion or conflict on their sleek, self- possessed debut single: referencing the Hungarian actor best known for playing the titular Count in Tod Browning’s 1. Dracula, . The loping intro is particularly inspired, ramping up the suspense to an unbearable level as reverbed ghost train FX shudder in and around Kevin Haskins’ bone- dry drums, David J”s descending bassline striated with Daniel Ash’s malevolent swipes of guitar. When Murphy’s campy, crudely overdubbed vocal arrives some two minutes in, you know you’re dealing with one of the all- time great pop singles. The message is clear, and undeniable: Joy Division begat goth. Far more substantial and less theatrical than Bauhaus, Joy Division dealt, as you all know, in those themes of existential dread, unresolved love and mortification that would form the backbone of goth mythology. Curtis’s tragic suicide simply sealed the deal: here was a troubled young man whose deathwish was real, not just a parent- bating pose. Moving away from the Ballardian future- shock of Unknown Pleasures, his band charted the sepulchral sublime on their second, final studio album, Closer. The image on the cover – a photograph by Bernard Pierre Wolff of a family tomb in Genoa – makes Curtis’s shift into neo- classical morbidity explicit. The lyrics are correspondingly ur- goth, preoccupied with religion, being and the passage of time. Death, death, death. No less important to goth was Joy Division’s music itself: not just Curtis’s disconsolate croon, but the high- necked, melody- carrying basslines of Peter Hook, the chicken- scratch guitar of Bernard Sumner, the funereal, oxygen- deprived drums of Stephen Morris. And, most of all, the thing that bound these element together and made them sound as they do: Martin Hannett’s chilly, cavernous production, and subtle, painterly use of synthesizers. But even that gloomy outing had a new wave airiness and thrust to it; its lead single, . This lingering sense of urgency all but vanished on Faith (1. Rarely, if ever, has music sounded so world- weary. The songwriting is superb throughout, the lyrics’ self- pity dignified by the palpable anger of their delivery. Pornography went even more goth, but by then the boldly minimalist approach that made Faith. That’s not dusty nostalgia, that’s fact.” So quoth Morrissey in 1. The man talks a lot of nonsense (“sub- species”, anyone?) but it’s difficult to argue with this particular judgement. Born of the ’7. 7- ’7. Banshees recorded three terrific albums – The Scream, Join Hands and Kaleidoscope – before forging their most riveting work, 1. Juju. Having already provided the fashion lead for a million goth girls (and a fair few boys to boot), here Siouxsie wheeled out the misanthropic lyrics to match, managing to be elliptical and introspective without compromising on sheer dynamism. Has any song summed up goth’s ghoulish disposition as piquantly as ? On Juju he deploys a huge array of string techniques and distortion effects to wring every last globule of sonic potential from his instrument, and all within the tight minimalist grid delineated by Budgie and Severin. The band honed the songs in live performances before going into the studio, and it shows in the fearsome, fat- free recording. THE BIRTHDAY PARTY. His smack and speed- addled band, The Birthday Party, drew upon schlocky Stateside pop culture, the hostile landscapes of their native Australia and a jumble of repurposed religious imagery to produce some of goth’s most lurid and unhinged music. The title itself is a neat goth clarion call, but the scene is better encapsulated by its lyrical refrain: “Sex horror sex bat sex sex horror sex vampire sex bat horror vampire sex.”Cave continued to explore gothic themes throughout his career, absorbing more and more influence from Johnny Cash and the old bluesmen (the original goths, perhaps), gradually shedding his more erratic, atonal tendencies for a brand of macabre balladry that would reach its creative and commercial zenith in the 1. DANSE SOCIETYTHERE IS NO SHAME IN DEATH EP(PAX RECORDS 1. Danse Society’s engrossing 1. Each member of the band takes their turn to emote through their chosen instrument, but they never loose sight of their common narrative, and even the synthesizer freak- out which brings the track to a close sounds pensive and hard- earned. Hell, there’s such poise to the composition and the performance here that Rawlings’ dippy lyrics about laceration of the soul, sin and sacrement actually fly, even today. As we’ve already seen, the co- option of religious imagery is a common trope in goth, but nowhere does it sound as bitter and baleful as it does on . UK Decay enjoyed considerable success in the early 8. Sex Gang Children, Sisters of Mercy and myriad emerging goth pups significantly. Into this mire singer Paul Wilson’s rails shamanistically: “When imagination rules the head / Evoking instincts undead /The animal will rise to cry wolf. Though the majority of their recorded output is wretched, in their early years So. M were pretty compelling, combining the primality of metal with the polysexual pulsation of what would come to be known as EBM; their finest creation in this vein was the dark- wave floor- filler . Hamburg’s own Xmal Deutschland caused quite a stir here in the UK, striking gold with their second single, 1. DIY goth par excellence, its success led to a deal with 4. FB2, txt, e. Pub, pdf, djvu, doc, MOBI, LIT, LRFBARBARA WOOD,DEBOLSILLO, 2. ISBN 9. 78. 84. 97. Datos del libro. N. SOMBRAS DE UN PASADO - BARBARA WOOD (ISBN: 9788497597548). Comprar el libro desde M. La autora de Bajo el sol de Kenia en una nueva. Resumen del ebook sombras de un pasado barbara wood El abuelo de Andrea est. Para estar al lado de Una joven que regresa a su ciudad natal, para recibir algo mas que un legado maerial. El pasado de su familia legendaria regresa en cuanto traspasa el umbral de la vieja casa de Manchester y trae reveladoras consecuencias. 1979 Sombras de un pasado. Related posts: Constantes Vitales – Barbara Wood. Danielle Hermanas Steel, Danielle Una entrega especial Wood, Barbara Sombras de un pasado Selecci. Source:www.ejercitodelaire.mde.es Barbara Wood; Informaci. 1979 Sombras de un pasado; 1979 Trenes nocturnos. Dice que el mejor momento del d Descargar Sombras del pasado barbara wood y muchas otras obras en pdf, doc, y dem Easily share your publications and get them in front of Issuu’s millions of monthly readers. Title: Barbara Wood, Author: Biblioteca La Florida, Name: barbara Social Security and Elderly Poverty. Elderly poverty in the U. S. Between 1. 96. While poverty was once far more prevalent among the elderly than among other age groups, today's elderly have a poverty rate similar to that of working- age adults and much lower than that of children. Enacted in 1. 93. Social Security system experienced rapid benefit growth in the post- WWII era. In fact, there is a striking association between the rise in Social Security expenditures per capita and the decline in elderly poverty, as Figure 1 illustrates (with both series scaled to fit on the same figure). First, when poverty is measured relative to median non- elderly income rather than relative to the official poverty line, the decline in elderly poverty ended in the early 1. Income inequality has increased markedly since then among the elderly and non- elderly alike. Second, poverty rates are strongly cyclical - rising during recessions and falling during economic expansions - for the non- elderly but not for the elderly, highlighting the protective effect of Social Security. Third, decreases in elderly poverty over time have been similar across age groups but larger for married couples than for other groups. For example, individuals may work and save more when benefits are less generous, so a simple calculation of the increase in poverty that would result from eliminating Social Security income would likely overstate the true effect by ignoring these behavioral responses. They examine the relationship between this measure and poverty rates for people born between 1. For some of the analysis, the authors focus on a narrower range of birth cohorts, making use of the sharp drop in benefits experienced by the . They also find no statistically significant effect of benefits on income inequality, suggesting that higher- income and lower- income elderly benefit similarly from increases in Social Security. The authors also find that higher benefits lead some elderly to live independently rather than with family members, and conclude that the effect of Social Security on poverty would have been even more dramatic in the absence of these changes in living arrangements. See how Social Security is there for you throughout every stage of your life. Securing today and tomorrow. You are exiting the Social Security Administration's website. SSA cannot attest to the accuracy of information provided by such websites.With Social Security, you can discover a new world of information and services at www.socialsecurity.gov. Social Security provides financial benefits, services, and information to help support you throughout life’s journey. Social Security Country Profiles provide comprehensive information on social security systems around the world. Payments of benefits abroad. Payment of benefits abroad The benefits available from Kela can be divided into two groups based on whether they are payable to persons living abroad on a temporary or permanent basis. Medical Documentation for Social Security Disability Applications Other Disability Benefits Paying for Prescription Drugs. Welcome to Disability.gov, the U.S. Social work - Wikipedia, the free encyclopedia. Social Worker. Description. Competencies. Bachelor's degree for generalist practice. Graduate/postgraduate degree or diploma for advanced specialization practice. Related jobs. Social worker (generalist)Addictions social worker. Anti- discrimination/oppression advocate. Care manager. Case manager. Child and youth care social worker (CYW)Clinical social worker. Community/rural development worker & officer. Correctional social worker. Forensic/court social worker. Counselor and Therapist. Family welfare worker. Gerontological social worker. Health care manager. Health service manager. Human resource & labour relations manager. Human rights advocate. Industrial social worker. International welfare worker. Legislative aide. Medical/hospital social worker. Military social work officer. People with disabilities advocate. Police social worker. Poverty reduction worker & officer. Psychiatric/mental health social worker. Refugee worker. School social worker. Social justice aide. Social media ethics advocate. Social policy and planning officer. Social service manager. Welfare officer. Women's rights advocate. Social work is an academic and professional discipline that seeks to facilitate the welfare of communities, individuals, families, and groups. Underpinned by theories of social sciences and guided by principles of social justice, human rights, collective responsibility, and respect for diversities, social work engages people and structures to address life challenges and enhance well- being. Examples of fields a social worker may be employed in are poverty relief, life skills, community development, forensics, industrial relations, child protection, elder protection, women's rights, human rights, addictions rehabilitation, disaster management, mental health, and disabilities. History. The first was individual casework, a strategy pioneered by the Charity Organisation Society in the mid- 1. The second was social administration, which included various forms of poverty relief- 'relief of paupers'. Statewide poverty relief could be said to have its roots in the English Poor Laws of the 1. Charity Organisation Society. The third consisted of social action . This approach was developed originally by the settlement house movement. All had their most rapid growth during the nineteenth century, and laid the foundational basis for modern social work, both in theory and in practice. Because poverty was the main focus of early social work, it was intricately linked with the idea of charity work. There was also a great migration to urban areas throughout the Western world, which led to many social problems. This galvanised the socially active, prosperous middle and upper classes to search for ways to ameliorate the physical and spiritual conditions of the poor underclasses. It supported the concept of self- help and limited government intervention to deal with the effects of poverty. The organisation claimed to use . She believed in self- reliance, and made it a key part of her housing system that she and her assistants knew their tenants personally and encouraged them to better themselves. She was opposed to municipal provision of housing, believing it to be bureaucratic and impersonal. Under her guidance, the Charity Organisation Society organised charitable grants and pioneered a home- visiting service that formed the basis for modern social work. Social action. Her colleagues Samuel and Henrietta Barnett, founded Toynbee Hall, Oxford House. Another early organization was Mansfield House Settlement, also in east London. In America, the settlement movement was established by Jane Addams, a young medical student, and Ellen Gates Starr after Addams visited Toynbee Hall and was impressed by the system. She founded Chicago's Hull House in 1. European immigrant women and children. This soon inspired a worldwide movement of university settlements. The idea was to help members of the future elite understand the problems of wider society; this was especially important at a time when class divisions were much stronger, social mobility was minimal, and the living conditions of the poor were completely unknown to many members of the upper class. Foundations were established to examine the root causes of social problems such as poverty, and social workers became more professional and scientific in their methodology. The Quaker philanthropist and chocolate manufacturer Joseph Rowntree believed that social evils could be tackled by systematic research, and to that end founded the Joseph Rowntree Foundation in 1. His Memorandum of 1. In the early 2. 0th century, Mary Richmond of the Charity Organization Society (COS) and Jane Addams of the Settlement House Movement engaged in a public dispute over the optimal approach; whether the problem should be tackled with COS' traditional, scientific method that focused on efficiency and prevention, or whether the Settlement House Movement's immersion into the problem, blurring the lines of practitioner and client, was superior. The principles of classical liberalism were being increasingly challenged by downturns in economic growth, a growing perception of the evils of poverty, unemployment and relative deprivation present within modern industrial cities, and the agitation of organized labour. In the early 1. 90. British Liberals under H. H. Asquith introduced various reforms, including health insurance, unemployment insurance, and pensions for elderly workers, thereby laying the groundwork for the future British welfare state. William Beveridge, often called the 'architect of the welfare state', was pivotal in framing the debate about social work in the context of state welfare provision. His 1. 94. 2 report on Social Insurance and Allied Services. This has led, for example, to the recognition of poverty as having a social and economic basis rooted in social policies rather than representing a personal moral defect. It is not a 'single model', such as that of health, followed by medical professional such as nurses and doctors, but like nurses and doctors, social work requires study and continued professional development to retain knowledge and skills in practice. Field work is a distinctive attribution to social work pedagogy. This equips the trainee in understanding the theories and models within the field of work. Professional practitioners from multicultural aspects have their roots in this social work immersion engagements from the early 1. As an example, here are some of the models and theories used within social work practice: Contemporary professional development. Principles of social justice, human rights, collective responsibility and respect for diversities are central to social work. Underpinned by theories of social work, social sciences, humanities and indigenous knowledge, social work engages people and structures to address life challenges and enhance wellbeing. Some countries offer postgraduate degrees in social work, such as a master's degree (MSW, MSS, MSSA, MA, MSc, MRes, MPhil.) or doctoral studies (Ph. D and DSW (Doctor of Social Work)). Increasingly, graduates of social work programs pursue post- masters and post- doctoral study, including training in psychotherapy. In the United States, social work undergraduate and master's programs are accredited by the Council on Social Work Education. A CSWE- accredited degree is required for one to become a state- licensed social worker. A number of countries and jurisdictions require registration or licensure of people working as social workers, and there are mandated qualifications. The success of these professional bodies' efforts is demonstrated in that these same requirements are recognized by employers as necessary for employment. These associations may be international, continental, semi- continental, national, or regional. The main international associations are the International Federation of Social Workers (IFSW) and the International Association of Schools of Social Work (IASSW). The largest professional social work association in the United States is the National Association of Social Workers. There also exist organizations that represent clinical social workers such as The American Association of Psychoanalysis in Clinical Social Work. AAPCSW is a national organization representing social workers who practice psychoanalytic social work and psychonalysis. There are also a number of states with Clinical Social Work Societies which represent all social workers who conduct psychotherapy from a variety of theoretical frameworks with families, groups and individuals. The Association for Community Organization and Social Administration (ACOSA). Smaller numbers are members of the Unite the union and the GMB (trade union). The British Union of Social Work Employees (BUSWE) has been a section of the Community (trade union) since 2. While at that stage not a union, the British Association of Social Workers operated a professional advice and representation service from the early 1. Social Work qualified staff who are also experienced in employment law and industrial relations provide the kind of representation you would expect from a trade union in the event of grievance, discipline or conduct matters specifically in respect of professional conduct or practice. However this service depended on the good will of employers to allow the representatives to be present at these meetings, as only trade unions have the legal right and entitlement of representation in the workplace. By 2. 01. 1 several councils had realized that they did not have to permit BASW access, and those that were challenged by skilled professional representation of their staff were withdrawing permission. For this reason BASW once again took up trade union status by forming its arms length trade union section, SWU ( Social Workers Union). This gives legal right to represent its members whether the employer or Trade Union Congress ( TUC) recognizes SWU or not. Killing Joke » Torrent Downloads. Batman The Killing Joke rapidshare megaupload hotfile, Batman The Killing Joke via torrent download, Batman The Killing Joke full free download, Batman The. With Batman: The Killing Joke. This happens because we have to rely on sites like Rapidshare.de and MegaUpload.com for hosting the comics.
Diary of Saint Maria Faustina Kowalska: Divine Mercy in My Soul - Kindle edition by Saint Maria Faustina Kowalska. Beautiful Maria of my Soul' (Spanish: Bella Mar. In the film, it is performed in Spanish by Antonio Banderas and in English by Los Lobos. The song was written and composed by Arne Glimcher and Robert Kraft. The Mambo Kings- Beautiful Maria Of My Soul (lyrics)Hochgeladen am 1. P 1. 99. 2 Elektra Entertainment, a Division of Warner Communications Inc. A Time Warner Company. Beautiful Maria Of My Soul made famous by The Mambo Kings (Antonio Banderas) Download Mp3 Song Mambo Kings Mambo Kings Beautiful Maria Of My Soul MP3 Latest With Lyrics Mambo Kings Mambo Kings Beautiful Maria Of My Soul. Maria Of My Soul Mp3 Songs Download For Free. Discover Beautiful Maria Of My Soul. Free Custom Backing Tracks. Maria English Version Free Mp3 Download. Play and download Maria English Version mp3 songs from multiple sources at AioMp3.com. Beautiful Maria of my soul (English Version) Play Mp3 Download. Beautiful Maria of my soul / Los Lobos / Ost. Mambo King (english version). Lyrics to 'Beautiful Maria Of My Soul' by Los Lobos. In the sunlight of your smile / In the summer of our life / In the magic of love / Storms above scattered. Divine Mercy in My Soul . Enter your mobile number or email address below and we'll send you a link to download the free Kindle. You’re viewing a beta version of the new Last.fm website. |
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